Pianist Yunus Kaya is a name I had not encountered before this recent album of Brahms’ late piano music on Ars Produktion. A quick search for the name on Qobuz turned up a single track of Eurotrash EDM—perhaps another Yunus Kaya?

At any rate, in his brief remarks included in his own recording of Brahms’ late piano works, this Yunus Kaya writes: “It is important to me that my interpretation seems spontaneous, almost improvised.” How exactly one goes about to achieve this or even to define what “spontaneous” and “improvised” sound like are not explained. Likewise, the artist’s biography in the same liner notes are filled with airy marketing mumbo-jumbo about his interpretations evolving “between inner silence and intimate communication with the audience.” Huh?

Kaya’s recording, at least, is an excellent contribution to the distinguished discography of these winsomely autumnal works. He seems to have a natural feeling for their smoky, interior world; with an easy, but never facile command of their sometimes tricky polyphony and unostentatious melancholy. His playing sounds deeply considered, to use my own critical mumbo-jumbo, with carefully balanced voicing and unhurried pacing which allows the rich harmonies of this music to bloom. The impression is one of beauty borne out of nobility; even in the occasional tempestuous passages in these late works, nothing ever sounds ragged or coarse.

Ars’ production matches the beauty of these interpretations with lush sound to match. The stage sounds deep, with enough air around the piano, but not excessively resonant. Kaya’s instrument—a Steinway D—sounds lovely.

In short, a very welcome recital by a name which, hopefully, will become better known to music lovers in the coming years.